Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Thursday, December 10, 2020

The Last To See Her -- Exclusive Excerpt

New York Times and USA Today bestselling author Courtney Evan Tate's The Last to See Her (MIRA; 12/29) is a twisty, fast-paced domestic suspense about sisters, secrets and betrayal--for fans of B.A. Paris and Riley Sager.

Genevieve, a writer, is about to finalize her divorce from her cheating husband Todd. So when her sister Meg, an ambitious physician, has a convention to attend in New York City, she invites Gen along to celebrate her return to single life. It will be a perfect sisters' getaway in the big city! But things go awry when, on their first evening at the hotel, Gen decides to take a late night walk and disappears without a trace. Eventually she is officially declared a missing person.

Suspicion soon falls on her sister Meg, who was the last person to see her.

Through twists and turns, it is revealed that Meg has been sleeping with her brother-in-law Todd... And then there is a question of a newly purchased insurance policy that just has just gone into effect before Gen’s disappearance. Both Todd and Meg deny any knowledge of it.

But has an actual crime been committed? Can it be proven? And if so, who is really the guilty one?

 



Please enjoy this excerpt of Courtney Evan Tate's The Last to See Her. 
_
Genevieve tipped the courier and set the certified letter on the coffee table.
She knew what it was. She’d been waiting for it for almost a week.
Every day, she’d wondered, Will it be today?
And each day it wasn’t.
Until today.
Nervous energy buzzed through her fingers and toes, tingling through her veins, like ants scurrying in a thousand directions. She paced for a minute, stopping at the floor-to-ceiling windows, staring at the magnificent cityscape lining the horizon. Buildings burst through the hazy pollution, their tips scraping the clouds.
People far below her were bustling here and there, quick to walk, slow to linger. They had things to do, places to be, and she didn’t.
Not anymore.
She ripped open the envelope, pulling the banded documents out, scanning through the words, hunting for the official stamps and signatures that declared this an official act of the court.
They were all there.
This was real.
It was finally happening.
She focused her gaze on the words before her.
Honestly, they were simple.
The black-and-whiteness of them was stark and startling. There were no gray areas, no areas open to interpretation.
They reduced the last ten years of her life into a handful of legal phrases and technical terms. Incompatible differences associated with adultery, marriage dissolution and absolute divorce.
She stared at the words.
Soon, she would be absolutely divorced. She just had to sign the papers.
It had only taken six months of her life to iron out the details. To separate all of their worldly possessions into two camps, his and hers, to figure out who got what. Divorcing a lawyer was the only thing worse than being married to one. No matter that he was the one in err, because he repeatedly fucked someone else, he was out for blood and it took months to sort it all out.
But thank God no children were involved.
That’s what people kept saying, like it was a good thing or a blessing.
But if she’d had a child, she wouldn’t be all alone, and someone would still love her.
She felt like she was floundering. For so long, she’d put all of her energy into a man who hadn’t deemed her worthy to stay faithful to. That had done something to her self-confidence. Something terrible. It wounded her in places she hadn’t known she had, and now she had to figure out who she was without him.
She wasn’t Genevieve Tibault anymore, one half of a whole. She was Genevieve McCready again, and what was Genevieve McCready going to do now, now that she had to stand alone?
She pushed herself off the couch and ran water in her coffee cup. It was a habit Thad had taught her. He hated it when the cups developed coffee rings. She stared at the running water, and then set her cup down.
She didn’t have to do what he wanted anymore. If she wanted coffee rings or tea rings or any kind of fucking rings, she could have them.
It was an epiphany.
She was her own person again. It had been so long since she was a me instead of a we.
She looked around, at the condo she had fought so hard for…the marble floors that they couldn’t agree on—she’d wanted slate, he’d wanted marble—at the modern light fixtures that he’d gotten his way on, at even the tan wall colors. She’d wanted gray.
Why had she even wanted this place?
It was all Thad, and none of Genevieve.
A sense of exuberance, a strange jubilation, welled up in her as she searched online for a realtor and then dialed the phone.
Bubbles of excitement swelled in her belly as she arranged a time for the realtor to come see the place.
And then again, as she stared at a map.
Unlike Thad, someone who had spent years building up his legal practice and honing his networking skills in this one city, she could work from anywhere.
She wrote novels. 
She could work in Antarctica if she wanted to.
She didn’t want to, but she could.
She already had a plan. She knew where she was going, and what she was doing. She just had to have the courage to do it.
She picked up the phone and called her only sister, Meghan.
“Meg, I’m moving home.”
Her sister paused. “Home as in…?”
“Cedarburg.” There was a long pregnant pause now.
“Um. Why would you want to move back to Wisconsin? You haven’t lived there in…”
“In eighteen years. Since I left for college. Yes.”
“But…why?”
“I don’t know,” Gen said honestly. “I just feel a need to get back to my roots. I love Chicago, but the traffic and the noise…” She stared out from her twentieth floor windows again. Even from up here, even though the vehicles looked like Matchbox cars, she could still hear the honking. “This feels like Thad. I want to feel like me.”
“There’s nothing there,” Meg said carefully. “Nothing but fields and cold and—”
“And friendly people,” Gen interrupted. “And our parents, and familiarity, and open spaces, and distance from Thad.”
“But I won’t be there,” Meg reminded her gently. “I’m not moving back. I think you need to be near me, Gen. You need a support system. Divorce is no joke.”
“I know that,” Gen said patiently. “I’m the one living it. You’re still with your Prince Charming and point five children living the American Dream, and I’m the one sitting in an empty condo.”
She fought to keep the bitterness out of her voice, as she compared Meg’s bustling, messy home to her own stark and empty condo in her mind’s eye. 
“I’ll tell Joey that you’re counting him as a point five,” Meg chuckled.
“Well, he’s only five, so it’s fitting. I mean, honestly. He’s not a whole person yet.”
They laughed again, and then Meg sobered up.
“Is this really something you want to do?”
Gen nodded. “Yeah. I think so.”
Meg took a big breath. “Well, let’s do it, then. I’ll help you with your condo, and finding a moving company, and looking online for a house there, and hell’s bells, we’ve got a lot to do!”
“You don’t have to help with all that…” Gen trailed off, but Meg interrupted with their life-long pact.
“Sisters forever,” she decreed. They’d used that pact since they were kids. Whenever one didn’t want to do something, the other would remind them “sisters forever,” and they would concede.
Gen realized she wasn’t going to get away with not letting Meg get her hands in all the new plans.
“Sisters forever,” she agreed.
“But first, you promised to go to my convention with me,” Meg reminded her.
Gen hesitated.
“Don’t tell me you forgot. New York City? Spa days, shopping—you need a new wardrobe, sis—and nights on the town. You promised.”
Gen paused again, and Meghan cajoled, “Pleassssse. We need this. You need this. It can be your divorce party.”
“Okay,” Gen found herself saying. “Fine. I’ll still come.”
Her sister squealed and Gen hung up before Meg could get too excited. She was moving away from everything she’d known for over a decade. Even though the world seemed unsettled and uncertain, for the first time in at least five years, she felt at peace.

Excerpted from The Last to See Her by Courtney Evan Tate, Copyright © 2020 by 
Lakehouse Press, Inc. Published by MIRA Books


The Last to See Her is available from these sellers: 

Harlequin 

Barnes & Noble

Amazon

Books-A-Million

Powell’s



Author Bio: 


Courtney Evan Tate is the nom de plume (and darker side) of the New York Times and USA Today bestselling author Courtney Cole. As Courtney Evan Tate, she is the author of Such Dark Things and I'll Be Watching You. Courtney grew up in rural Kansas and now lives with her husband and kids in Florida, where spends her days dreaming of new characters and storylines and surprising plot twists and writing them beneath rustling palm trees. Visit her on Facebook or at courtneycolewriters.com

Thursday, October 08, 2020

Excerpt: Lisa Unger’s CONFESSIONS ON THE 7:45

Bestselling and award-winning author Lisa Unger returns with her best novel yet. Reminiscent of the classic Strangers on a Train, Confessions on the 7:45 is a riveting psychological thriller that begins with a chance encounter on a commuter train and shows why you should never, ever make conversation with strangers.





Be careful who you tell your darkest secrets...


Selena Murphy is commuting home from her job in the city when the train stalls out on the tracks. She strikes up a conversation with a beautiful stranger in the next seat, and their connection is fast and easy. The woman introduces herself as Martha and confesses that she's been stuck in an affair with her boss. Selena, in turn, confesses that she suspects her husband is sleeping with the nanny. When the train arrives at Selena's station, the two women part ways, presumably never to meet again.


But days later, Selena's nanny disappears.


Soon Selena finds her once-perfect life upended. As she is pulled into the mystery of the missing nanny, and as the fractures in her marriage grow deeper, Selena begins to wonder, who was Martha really? But she is hardly prepared for what she'll discover.


Expertly plotted and reminiscent of the timeless classic Strangers on a Train, Confessions on the 7:45 is a stunning web of lies and deceit, and a gripping thriller about the delicate facades we create around our lives.


Please enjoy this excerpt from Lisa Unger's Confessions on the 7:45:

Chapter Two

Anne


It had been a mistake from the beginning and Anne certainly knew that. You don’t sleep with your boss. It’s really one of the things mothers should teach their daughters. Chew your food carefully. Look both ways before you cross the street. Don’t fuck your direct supervisor no matter how hot, rich, or charming he may happen to be. Not that Anne’s mother had taught her a single useful thing.

Anyway, here she was. Again. Taking it from behind, over the couch in her boss’s corner office with those expansive city views. The world was a field of lights spread wide around them. She tried to enjoy it. But, as was often the case, she just kind of floated above herself. She made all the right noises, though. She knew how to fake it.

“Oh my god, Anne. You’re so hot.”

He pressed himself in deep, moaning.

When he’d first come on to her, she thought he was kidding – or not thinking clearly. They’d flown together to DC to take an important client who was considering leaving the investment firm out to dinner.  In the cab on the way back to the hotel -- while Hugh was on the phone with his wife, he put his hand on Anne’s leg. He wasn’t even looking at Anne when he did it, so for a moment she wondered if it was just absent-mindedness. He was like that sometimes, a little loopy. Overly affectionate, familiar. Forgetful.

His hand moved up her thigh. Anne sat very still. Like a prey animal. Hugh ended the call and she expected him to jerk his hand back. 

Oh! I’m so sorry, Anne, she thought he’d say, aghast at his careless behavior.

But no. His hand moved higher.

 “Am I misreading signals?” he said, voice low.  

Stop. What most people would be thinking: Poor Anne! Afraid for her job, she submits to this predator.

What Anne was thinking: How can I use this to my advantage? She really had been just trying to do her job well, sort of. But it seemed that Pop was right, as he had been about so many things. If you weren’t running a game, someone was running one on you.

Had she subconsciously been putting out signals? Possibly. Yes. Maybe Pop was right about that, too. You don’t get to stop being what you are, even when you try.

They made out like prom dates in the cab, comported themselves appropriately as they walked through the lobby of the Ritz. He pressed against her at the door to her hotel room. She was glad she was wearing sexy underwear, had shaved her legs. 

She’d given Hugh – with his salt and pepper hair, sinewy muscles, flat abs -- the ride of his life that night.  And many nights since. He liked her on top. He was a considerate lover, always asking: Is this good? Are you okay? Confessional: Kate and I – we’ve been married a long time. We both have – appetites. She couldn’t care less about his marriage.

Anne didn’t actually believe in the things other people seemed to value so highly. Fidelity – really? Were you supposed to just want one person your whole life? Marriage. Was there ever anything more set up to fail, to disappoint, to erode? Come on. They were animals. Every last one of them rutting, feral beasts. Men. Women. All of society was held together by gossamer thin, totally arbitrary laws and mores that were always shifting and changing no matter how people clung. They were all just barely in line.

Anne neither expected nor encouraged Hugh to fall in love. In fact, she spoke very little. She listened, made all the right affirming noises. If he noticed that she had told him almost nothing about herself, it didn’t come up. But fall in love with Anne he did. And things were getting complicated.

Now, finished and holding her around the waist, Hugh was crying a little. His body weight was pinning her down. He often got emotional after they made love. She didn’t mind him most of the time. But the whole crying thing -- it was such a turn off. She pushed against him and he let her up. She tugged down her skirt, and he pulled her into an embrace. 

She held him for a while, then wiped his eyes, kissed his tears away. Because she knew that’s what he wanted. She had a special gift for that, knowing what people wanted -- really wanted deep down – and giving them that thing for a while. And that was why Hugh – why anyone – fell in love. Because he loved getting the thing he wanted, even if he didn’t know what that was.

When he moved away finally, she stared at her ghostly reflection in the dark window, wiped at her smeared lipstick.

“I’m going to leave her,” Hugh said. He flung himself on one of the plush sofas. He was long and elegant; his clothes impeccable, bespoke, made from the finest fabrics. Tonight, his silk tie was loose, pressed cotton shirt was wilted, black wool suit pants still looking crisp. Garments, all garments – even just his tennis whites -- hung beautifully on his fit body.

She smiled, moved to sit beside him. He kissed her, salty and sweet. 

“It’s time. I can’t do this anymore,” he went on.

This wasn’t the first time he’d said this. Last time, when she’d tried to discourage him, he’d held her wrists too hard when she tried to leave. There had been something bright and hard in his eyes – desperation. She didn’t want him to get clingy tonight. Emotional.

“Okay,” she said, running her fingers through his hair. “Yeah.”

Because that’s what he wanted to hear, needed to hear. If you didn’t give people what they wanted, they became angry. Or they pulled away. And then the game was harder or lost altogether.

“We’ll go away,” he said, tracing a finger along her jaw. Because of course they’d both lose their jobs. Hugh’s wife Kate owned and ran the investment firm, had inherited the company from her legendary father. Her brothers were on the board. They’d never liked Hugh (this was one of his favorite pillow talk tirades, how Kate’s brothers didn’t respect him). “We’ll take a long trip abroad and figure out what comes next. Clean slate for both of us. Would you like that?”

“Of course,” she said. “That would be wonderful.”

Anne liked her job; when she’d applied and interviewed, she honestly wanted to work at the firm. Numbers made a kind of sense to her, investment a kind of union of logic and magic. Client work was a bit of a game, wasn’t it – convincing people to part with their cash on the promise that you could make them more? She also respected and admired her boss – her lover’s wife -- Kate. A powerful, intelligent woman. 

Maybe Anne should have thought about all of that before she submitted to Hugh’s advances. He wasn’t the power player; she’d miscalculated, or not run the numbers at all. She made mistakes like that sometimes, let the game run her. Pop thought it was a form of self-sabotage. Sometimes, sweetie, I think your heart’s not quite in it. Maybe he was right.

“Ugh,” said Hugh, pulling away, glancing at his watch. “I’m late. I have to change and meet Kate at the fundraiser.”

She rose and walked the expanse of his office, got his tux from the closet, and lay it across the back of the couch. Another stunning item, heavy and silken. She ran her fingers lovingly along the lapel. He rose, and she helped him dress, hanging his other clothes, putting them back in the closet. She did his tie. In his heart, he was a little boy. He wanted to be attended to, cared for. Maybe everyone wanted that.

“You look wonderful,” she said, kissing him. “Have fun tonight.”

He looked at her long, eyes filling again.

“Soon,” he said. “This charade can end.”

She put a gentle hand to his cheek, smiled as sweetly as she could muster and started to move from the room.

“Anne,” he said, grabbing for her hand. “I love you.”

She’d never said it back. She’d said things like “me, too” or she’d send him the heart- eyed emoji in response to a text, sometimes she just blew him a kiss. He hadn’t seemed to notice, or his pride was too enormous to ask her why she never said it, or if she loved him. But mainly, she thought it was because Hugh only saw and heard what he wanted to.

She unlaced her fingers and blew him a kiss. “Goodnight, Hugh.”

His phone rang, and he watched her as he answered. 

“I’m coming, darling,” he said, averting his eyes, moving away. “Just had to finish up with a client.”

She left him, his voice following her down the hall.

In her office, she gathered her things, a strange knot in the pit of her stomach. She sensed that her luck was about to run out here. She couldn’t say why. Just a feeling that things were unsustainable – that it wasn’t going to be as easy to leave Kate as he thought, that on some level he didn’t really want to, that once things reached critical mass, she’d be out of a job. Of course, it wouldn’t be a total loss. She’d make sure of that.  

There was a loneliness, a hollow feeling that took hold at the end. She wished she could call Pop, that he could talk her through. Instead her phone pinged. The message there annoyed her.

This is wrong, it said. I don’t want to do this anymore.

Just stay the course, she wrote back. It’s too late to back out now.

Funny how that worked. At the critical moment, she had to give the advice she needed herself. The student becomes the teacher. No doubt, Pop would be pleased.

Anne glanced at the phone. The little dots pulsed, then disappeared. The girl, younger, greener, would do what she was told. She always had. So far.

Anne looked at her watch, imbued with a bit of energy. If she hustled, she could just make it.

Excerpted from Confessions on the 7:45 by Lisa Unger, Copyright © 2020 by Lisa Unger. Published by Park Row Books.


This book is available for purchase from the following retailers:

Harlequin 

Indiebound

Amazon

Barnes & Noble 

Books-A-Million

Target

Walmart

Google

iBooks

Kobo


Lisa Unger is the New York Times and internationally bestselling author of eighteen novels, including CONFESSIONS ON THE 7:45 (Oct. 2020). With millions of readers worldwide and books published in twenty-six languages, Unger is widely regarded as a master of suspense. Her critically acclaimed books have been voted "Best of the Year" or top picks by the Today show, Good Morning America, Entertainment Weekly, Amazon, IndieBound and others. Her essays have appeared in The New York Times, Wall Street Journal, NPR, and Travel+Leisure. She lives on the west coast of Florida with her family.

Author Website: https://lisaunger.com/ 

TWITTER: @lisaunger

FB: @authorlisaunger  

Insta: @launger

Goodreads: https://www.goodreads.com/author/show/18445.Lisa_Unger





Wednesday, December 25, 2019

Good Girls Lie -- A Q&A with Author J.T. Ellison

Perched atop a hill in the tiny town of Marchburg, Virginia, The Goode School is a prestigious prep school known as a Silent Ivy. The boarding school of choice for daughters of the rich and influential, it accepts only the best and the brightest. Its elite status, long-held traditions and honor code are ideal for preparing exceptional young women for brilliant futures at Ivy League universities and beyond. But a stranger has come to Goode, and this ivy has turned poisonous.

In a world where appearances are everything, as long as students pretend to follow the rules, no one questions the cruelties of the secret societies or the dubious behavior of the privileged young women who expect to get away with murder. But when a popular student is found dead, the truth cannot be ignored. Rumors suggest she was struggling with a secret that drove her to suicide.

But look closely…because there are truths and there are lies, and then there is everything that really happened.



 
Q&A with J.T. Ellison
Do you plan your books in advance or let them develop as you write?
Both. Sometimes the story just unfolds, and sometimes I have to relentlessly work on themes and turning points and characters’ points of view. Every book is different, every book has its own unique challenges. I’m always thinking about what’s next, and sometimes even what’s after that. But when it comes to actually sitting down to write, I like to let the story unfold a bit, let it stretch its wings, before I try to lash it to the mast and conform it to my vision.
What does the act of writing mean to you?
It’s a sacred contract with me and a mythical “someone” who might read the words at some point in the future and find them entertaining or moving. It’s sheer magic on my end, creating, and sheer magic on the readers’ end, when they get to experience what was in my head as I was writing. It’s the most incredible mystical experience out there.
Have you ever had a character take over a story, and if so, who was it and why?
All the time. Oh my gosh, all the time. Honestly, if the character doesn’t run away with things, I know there’s a problem. Ivy, n LIE TO ME, is a particular favorite. She’s just so nasty…
Which one of Good Girls Lie’s characters was the hardest to write and why?
Ash, for sure. She was so elusive and aloof with me. The Britishisms, the secrets, the lies, she was always just out of reach. Of course, that was because I’d written her in third person. When I switched her to first, she wouldn’t shut up.
Which character in any of your books (Good Girls Lie or otherwise) is dearest to you and why?
Oh that’s an impossible question. Taylor. Sam. Sutton. Vivian. Ash. Aubrey. Ivy. Juliet. Lauren. Becca. Gavin. Baldwin. Xander. They are all me, on some level, whether it’s a fear or a triumph, a flaw or a heroic action. A moment of love or a moment of animosity. It’s like asking me to choose among my children, which one is my favorite. (I don’t have kids, by the way, but I couldn’t pick my favorite of my kittens, either.)
What did you want to be as a child? Was it an author?
I desperately wanted to be Colorado’s first female firefighter. When that job was taken, I cast about. Doctor. Lawyer. Fighter Pilot. Spy. International business maven. Olympic swimmer. Poet. In the end, being a writer was my only choice. That way, I get to experience all the lives I could have led.
What does a day in the life of J.T. Ellison look like?
It’s rather blissful. It starts rather lazily, with the cats cuddled into my arms and the newspaper on my iPad, then progresses to kicking the lazy beasts out, pouring a cup of tea and handling email. I am not a morning person, so I tend to do business in the morning and writing in the afternoon, when I’m sharper. I’ve always wanted to be the writer who gets up at 5 am to write whilst the birds chirp and the house sleeps, watching the sun rise and running five miles before the rest of the world is awake, but alas, it was not meant to be. You need to go to a concert that starts at ten p.m., I’m your girl.
What do you use to inspire you when you get Writer’s Block?
It depends. If it’s a genuine block, a I’ve lost faith in myself and my work block, I will step away from the manuscript entirely, read, walk, golf, yoga, go out for margaritas with my husband, anything to remove me from the situation. But 90 percent of the time, it’s just a story issue, so I work it out with some of my creative partners. Lots of texting and phone calls and what ifs, until it shakes itself free.
What book would you take with you to a desert island?
Hmmm… my knee jerk is the Harry Potter series – I know, I know, that’s seven books, but I’m sure there’s an omnibus edition somewhere. The fight for good and evil never ceases to amaze and comfort me. Knowing love conquers evil is a big deal in this world. And Hermione kicks ass. If I’m forced into a single title, Plato’s Republic. I’ve been obsessed with the allegory of the cave my entire adult life.
Favorite quote?
“Do. Or Do not. There is no try.” – Master Yoda
Coffee or tea?
Loose leaf earl grey. Making tea is a meditative experience for me.
Best TV or Movie adaptation of a book?
Clueless, hands-down the best adaptation of Austen’s Emma ever, and I’ve been enjoying A Discovery of Witches, based on the fabulous books by Deborah Harkness. Outlander isn’t bad, either. And Game of Thrones… obviously, I don’t include anything past the second episode of the final season of that, though I did enjoy the whole Deanarys-Drogon airborne apocalypse. I mean, talk about a girl who had reason to be aggravated with society.
Do you have stories on the back burner that are just waiting to be written?
So. Many. Stories. I will never get to them all. At last count, there are 49 in my “Story Idea” folder, with several more floating around in my head.
What has been the hardest thing about publishing? What has been the most fun?
The hardest is staying in the game, juggling the necessary mix of creativity and business, finding new paths to reach readers and leveling up the writing so it’s possible to grow my career. It was much easier to write, to focus, before our constant connections to the internet consumed us. The most fun is that email from a reader, when something I’ve written strikes a chord with them and they write to tell me they love a story, or a character, or an ending. It doesn’t get better than that.
What advice would you give budding authors about publishing?
Stay as much in a vacuum as you can while writing. You don’t need a platform, you need an excellent, groundbreaking book. And read everything. Everything you can get your hands on. You learn writing through osmosis as much as writing the books themselves. Find your writing habit and hold it sacred. If you respect your work, your people will, too.
What was the last thing you read?
I just finished Holly Black’s THE QUEEN OF NOTHING, the finale of her Folk of the Air trilogy, and just finished listening to BAG OF BONES by Stephen King. Both were exceptional.
Your top five authors?
Diana Gabaldon
JK Rowling
Deborah Harkness
Leigh Bardugo
Sarah J. Maas
Book you've bought just for the cover?
That’s how I found the Holly Black trilogy – I adored the cover of THE CRUELEST PRINCE.
Tell us about what you’re working on now.
 I’m writing a novel about a destination wedding that goes very, very wrong. It has loose ties to Rebecca, and it titled HER DARK LIES. 

You can purchase Good Girls Lie from any of these retailers:




J.T. Ellison is the New York Times and USA Today bestselling author of more than 20 novels, and the EMMY-award winning co-host of A WORD ON WORDS, Nashville's premier literary show. With millions of books in print, her work has won critical acclaim, prestigious awards, and has been published in 26 countries. Ellison lives in Nashville with her husband and twin kittens.







Connect with the author on social media:

Twitter: @thrillerchick
Facebook: @JTEllison14
Instagram: @thrillerchick



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